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 enlarge | Authors: Carol Troyen, Judith Barter, Elliot Davis, Edward Hopper
Publisher: MFA Publications
Category: Book
List Price: $65.00
Buy New: $40.95
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Avg. Customer Rating:  9 reviews
Sales Rank: 53732
Media: Hardcover
Number Of Items: 1
Pages: 288
Shipping Weight (lbs): 4.1
Dimensions (in): 11.3 x 10.8 x 1.1
ISBN: 0878467122
Dewey Decimal Number: 759.13
EAN: 9780878467129
ASIN: 0878467122
Publication Date: June 1, 2007
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| Customer Reviews:
| Showing reviews 6-9 of 9 | | « PREV | | |
A focus on European influences July 27, 2007
5 out of 9 found this review helpful
Plenty of catalogs and art histories have featured the works of Edward Hopper, but what makes EDWARD HOPPER different is this emphasis on his strengths from the 1920s-1940s, when he produced many of his greatest works. A focus on European influences, critical reactions to his productions, his themes and choices, and his special challenges makes for detailed insights on the personality and ambitions of Hopper, while full-page color illustrations - some 150 in all - provide visual emphasis. Perfect for art libraries and for public lending collections seeking even one definitive Hopper coverage.
Diane C. Donovan
California Bookwatch
A good study for watercolor artists. July 8, 2007
3 out of 8 found this review helpful
I found the paintings very helpful for the lessons they give about use of value and composition. Both the watercolor and oil paintings give lessons for watercolor painting. Many beginning and intermediate painters fail to achieve good deep dark values in their work. Painters must add value and color paths to create eye movement paths.
Value change gives separation(Depth),colors make it pretty.
Harold D. Smith
Stunningly beautiful compilation June 14, 2007
19 out of 22 found this review helpful
This recent publication of the life and works of Edward Hopper, in connection with an ongoing exhibition of Hopper's works at the Museum of Fine Arts in Boston this summer, is one of the finest I've ever seen dedicated to one artist. The chapter presentations by five known experts in the field give us a comprehensive and a more subtle look at Hopper and his influence on twentieth-century American art. As some of the contributors point out, "American" is the operable word as Hopper was quintessentially American and few, if any, match Hopper's mirror of this country from decades past.
Hopper, a true conservative, was influenced nonetheless by French Surrealistic painters and one of the added benefits of this particular book is that there are many representations of works by other artists that had great effect on him. Light was Hopper's main asset and whether he was depicting a lighthouse in Maine or the inside of an apartment in New York, it is the light that catches one's eye first. Yet, for many of Hopper's works, it is also the "chiaroscuro" that counters so well and his most famous painting, "Nighthawks" is but one example. Indeed, an entire chapter is given over to this one painting, often thought (by critics and Hopper, himself) to be his finest.
Reading this book is like attending an art class as every aspect of Hopper's works are discussed....light having already been mentioned, there are also pages devoted to the individuals in his paintings, (never seemingly engaged with one another) the sometimes strange but pleasing geometric angles he presents and his choice of subject material, to name just three others. It came as no surprise to me that Hopper was often at odds with his times. Preferring to paint Victorian houses in the 1920s brought him a certain amount of derision, for instance, while the rage was to paint those "newfangled" skyscrapers and such. And as the century hit midspan, the Jackson Pollocks of the world began to eclipse the older, more sedate Hopper.
The genius of Edward Hopper, of course, is that he has stood the test of time and over that time has become more appreciated and understood. This terrific book goes a long way in explaining the world of Hopper and does much to keep his memory alive. I plan to see the exhibit in Boston this summer and I hope many others will, too. In any event, however, I highly recommend this fascinating book about one of America's exceptional artists for its breadth, honesty and the powerful way in which it is presented.
Paintings of American spirit June 6, 2007
19 out of 21 found this review helpful
No one artist could capture anything as broad as the whole of American experience. If such a catalog were assembled, though, it would have to contain works by Hopper.
The book as produced by the Boston Museum of Fine Arts to accompany its 2007 show of Hopper's work. Text, including extensive notes and bibliography, make up a bit more than half of the book. This includes biographical information and analysis. It also contrasts comments on the works when the first appeared, vs. commentary today or just a few years after they appeared.
The artwork, 110 of Hopper's plus 91 supporting works by other artists, really make this book. The cover, 'Chop Suey,' typifies one part of his ouvre. It's a common urban scene, two friends dining in an unpretentious restaurant. One of the women faces directly towards the viewer - it's not the challenge in her gaze that strikes me, but the distance from her dining partner. It's common for people to talk about loneliness in Hopper's work, but I think that's too glib. There are other kinds of solitude and separation, and Hopper distinguishes between many of them.
What Hopper did for the everyday of urban life, he also did for familiar scenes along the Maine and Massachusetts coastlines. Gloucester, Cape Elizabeth, Two Lights - he painted all of them at one time or another. It is enlightening to see his early watercolors and later oils together. They show the progression from fussy rendering of Victorian detail to the monumental, graphic geometries of his later work.
If you're not yet familiar with Hopper's work, you owe it to yourself to learn about his work. Somehow, even seeing it for the first time, you're sure to find something familiar in it.
-- wiredweird
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