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Twilight | 
 enlarge | Author: Stephenie Meyer
Publisher: Little, Brown Book Group
Category: Book
Buy Used: $8.70
Avg. Customer Rating:  2055 reviews
Sales Rank: 57035
Format: Import
Media: Paperback
Edition: New Ed
Pages: 464
Shipping Weight (lbs): 0.6
Dimensions (in): 7.6 x 5 x 1.4
ISBN: 1904233651
EAN: 9781904233657
ASIN: 1904233651
Publication Date: April 30, 2007
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Condition: BRAND NEW FACTORY SELAED, SUPER FAST SHIPPING
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Amazon.com
"Softly he brushed my cheek, then held my face between his marble hands. 'Be very still,' he whispered, as if I wasn't already frozen. Slowly, never moving his eyes from mine, he leaned toward me. Then abruptly, but very gently, he rested his cold cheek against the hollow at the base of my throat." As Shakespeare knew, love burns high when thwarted by obstacles. In Twilight, an exquisite fantasy by Stephenie Meyer, readers discover a pair of lovers who are supremely star-crossed. Bella adores beautiful Edward, and he returns her love. But Edward is having a hard time controlling the blood lust she arouses in him, because--he's a vampire. At any moment, the intensity of their passion could drive him to kill her, and he agonizes over the danger. But, Bella would rather be dead than part from Edward, so she risks her life to stay near him, and the novel burns with the erotic tension of their dangerous and necessarily chaste relationship. Meyer has achieved quite a feat by making this scenario completely human and believable. She begins with a familiar YA premise (the new kid in school), and lulls us into thinking this will be just another realistic young adult novel. Bella has come to the small town of Forks on the gloomy Olympic Peninsula to be with her father. At school, she wonders about a group of five remarkably beautiful teens, who sit together in the cafeteria but never eat. As she grows to know, and then love, Edward, she learns their secret. They are all rescued vampires, part of a family headed by saintly Carlisle, who has inspired them to renounce human prey. For Edward's sake they welcome Bella, but when a roving group of tracker vampires fixates on her, the family is drawn into a desperate pursuit to protect the fragile human in their midst. The precision and delicacy of Meyer's writing lifts this wonderful novel beyond the limitations of the horror genre to a place among the best of YA fiction. (Ages 12 and up) --Patty Campbell
10 Second Interview: A Few Words with Stephenie Meyer
 Q: Were you a fan of Buffy the Vampire Slayer? Angel? What are you watching now that those shows are off the air?
A: I have never seen an entire episode of Buffy or Angel. While I was writing Twilight, I let my older sister read along chapter by chapter. She's a huge Buffy fan and she kept trying to get me to watch, but I was afraid it would mess up my vision of the vampire world so I never did. I don't have a ton of time for TV, and my kids get rowdy when I have on "mommy shows," but I do have a secret fondness for reality shows (the good ones, at least in my opinion). I always TiVo Survivor, The Amazing Race, and America's Next Top Model.
Q: What inspired you to write Twilight? Is this the beginning of a series? Why write for teens?
A: Twilight was inspired by a very vivid dream, which is fairly faithfully transcribed as chapter thirteen of the book. There are sequels on the way--I'm hard at work editing book two (tentatively titled New Moon) right now, and book three is waiting in line for its turn.
I didn't mean to write for teens--I didn't mean to write for anyone but myself, so I had an audience of one twenty-nine year old (and later one thirty-one year old when my sister started reading). I think the reason that I ended up with a book for teens is because high school is such a compelling time period--it gives you some of your worst scars and some of your most exhilarating memories. It's a fascinating place: old enough to feel truly adult, old enough to make decisions that affect the rest of your life, old enough to fall in love, yet, at the same time too young (in most cases) to be free to make a lot of those decisions without someone else's approval. There's a lot of scope for a novel in that.
Q: What is your favorite vampire story? Fave vampire movie?
A: I guess my favorite vampire story would be The Vampire Lestat, by Anne Rice, simply because it's one of the only ones I've ever read. I keep meaning to pick up Bram Stoker's Dracula, because I get asked this question so often and I should probably start with the classics, but I haven't gotten around to it yet. Again, I'm afraid to read other vampire books now, for fear of finding things either too similar, or too different from my own vampire world. Ack! I can't even answer the movie question. I can't remember ever seeing a single vampire movie, outside of clips from Bela Lugosi movies on TV. I don't like true horror movies--my favorite scary movies are all Hitchcock's.
Q: What other young adult authors do you read?
A: My favorite young adult author is L.M. Montgomery I also enjoy J.K. Rowling (but who doesn't?), and Ann Brashares. As a teen, I skipped straight to adult books (lots of sci-fi and Jane Austen), so I'm rediscovering the world of teen literature now.
Stephenie Meyer's List of Books You Should Read 
Anne of Green Gables | 
Romeo and Juliet | 
Dragonflight | 
To Kill a Mockingbird | 
The Princess Bride |
See more recommendations from Stephenie Meyer
Q&A with Stephanie Meyer
Q: What book has had the most significant impact on your life?
A: The book with the most significant impact on my life is The Book of Mormon. The book with the most significant impact on my life as a writer is probably Speaker for the Dead, by Orson Scott Card, with Rebecca by Daphne du Maurier coming in as a close second.
Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: The CD is easy: Absolution by Muse, hands down. It's harder to give myself just one movie, but the one I watch most frequently is Sense and Sensibility--the one with the screenplay by Emma Thompson. One book is impossible. I'd have to have Pride and Prejudice, but I couldn't live without something by Orson Scott Card and a nice, thick Maeve Binchy, too.
Q: What is the worst lie you've ever told?
A: My lies are all very, very boring: "No, you really look great in hot pink!" "My children only watch one hour of TV a day." "I didn't eat the last Swiss Cake Roll--it must have been one of the kids." That's the best I've got.
Q: Describe the perfect writing environment.
A: It's late at night and the house is silent, but I'm still (miraculously) full of energy. I have my headphones in and I'm listened to a mix of Muse, Coldplay, Travis, My Chemical Romance, and The All-American Rejects. Beside me is a fabulous, and yet mysteriously low in calorie, cheesecake....
Q: If you could write your own epitaph, what would it say?
A: I'd like it to say that I really tried at the important things. I was never perfect at any of them, but I honestly tried to be a great mom, a loving wife, a good daughter, and a true friend. Under that, I'd want a list of my favorite Simpsons quotes.
Q: Who is the one person living or dead that you would like to have dinner with?
A: I'd love to have a chance to talk to Orson Scott Card--I have a million questions for him. Mostly things like, "How do you come up with this stuff?!" But, if he wasn't available, I'd settle for Matthew Bellamy (lead singer of Muse).
Q: If you could have one superpower, what would it be?
A: I'd want something offensive, rather than defensive. Like shooting fireballs from my hands. That way, you're really open to going either way--hero or villain. I like to have choices.
Product Description
"Softly he brushed my cheek, then held my face between his marble hands. ''Be very still,'' he whispered, as if I wasn''t already frozen. Slowly, never moving his eyes from mine, he leaned toward me. Then abruptly, but very gently, he rested his cold cheek against the hollow at the base of my throat. As Shakespeare knew, love burns high when thwarted by obstacles. In Twilight, an exquisite fantasy by Stephenie Meyer, readers discover a pair of lovers who are supremely star-crossed. Bella adores beautiful Edward, and he returns her love .But Edward is having a hard time controlling the blood lust she arouses in him, because--he''s a vampire. At any moment, the intensity of their passion could drive him to kill her, and he agonizes over the danger. But, Bella would rather be dead than part from Edward,so she risks her life to stay near him, and the novel burns with the erotic tension of their dangerous and necessarily chaste relationship.Meyer has achieved quite a feat by making this scenario completely human and believable. She begins with a familiar YA premise (the new kid in school), and lulls us into thinking this will be just another realistic young adult novel. Bella has come to the small town of Forks on the gloomy Olympic Peninsula to be with her father. At school, she wonders about a group of five remarkably beautiful teens, who sit together in the cafeteria but never eat. As she grows to know, and then love, Edward, she learns their secret. They are all rescued vampires, part of a family headed by saintly Carlisle, who has inspired them to renounce human prey. For Edward''s sake they welcome Bella, but when a roving group of tracker vampires fixates on her, the family is drawn into a desperate pursuit to protect the fragile human in their midst.The precision and delicacy of Meyer''s writing lifts this wonderful novel beyond the limitations of the horror genre to a place among the best of YA fiction.(Ages 12 and up) --Patty Campbell 10 Second Interview: A Few Words with Stephenie Meyer Q: Were you a fan of Buffy the Vampire Slayer? Angel? What are you watching now that those shows are off the air?
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| Customer Reviews: Read 2050 more reviews...
 page turner August 20, 2008
I am a librarian and avid book reader with a fondness for Young Adult literature. Twilight had me recalling the reading I did as a 13-14 year old, as it has many of the hallmarks of gothic (not goth) romance: The young woman arrives at a new place uncertain and out of place, and meets a sophisticated man who seems to initially dislike her for reasons hidden to her. The unlikely duo develops an attraction, with a fair amount of internal angst by the female and misunderstandings/conflicts to complicate things. Then the female comes to some kind of peril (perhaps supernatural) and the gentleman saves her.
That being said, the book takes these elements and turns them into a thoroughly modern page turner with a supernatural twist. It is not formulaic and is very engaging--the internal dialogue of Bella rings very true to me with the intensity and roller coaster of emotion of falling deeply in love for the first time and navigating the personal and social conflicts that can come with that.
There is an interesting dichotomy of Bella's strong independence within her family and in general with her helplessness (for lack of a better word) with being in love with Edward (to the extent she forgets to breathe frequently around him). But then first love can feel just that engrossing and intoxicating.
I can relate to that feeling, but I found myself at times impatient with Bella's prolonged inner turmoil (as I would be impatient with myself if I could revisit some of my teen years). And the romanticism and flowery words of Edward's character was at times too exaggerated for me.
The vampire thing to me does as Buffy the Vampire Slayer did--it takes the perils and pitfalls we deal with (especially as teens) and amps them up to a higher level--the issues are the same, just played with at higher stakes. So don't let that scare you off. For me it was a fun read.
Be aware this is the first of four books, but you won't be totally left hanging if you don't read further.
 eye - yi - eye! August 20, 2008
Here's the best way to get through this flaccid tale of young love: every time the word "eyes" appears, take a shot. You'll be well and truly sloshed every ten pages but it makes reading "Twilight" a whole lot easier. Good grief! This writer needs a darn good editor. Take out all the teen introspection and endless descriptions of eyes, hair, faces, and hands, it would be half as long -- and that's a good thing! Very disappointing.
 Good book, not a great one, but entertaining August 20, 2008
As of the date of this writing, I haven't finished the book yet (about 3/4 of the way through) but I did want to write a quick review on my thoughts so far. I had heard much about this book and it was very hyped up for me, being described as "the next Harry Potter for teenage girls!" I knew it was a love story involving a young girl and a vampire and for awhile, I stayed away from this book because of the fact that it was a love story, being a harsh critic of them (I find most of them way too sappy *coughnicholassparkscough*) and don't usually read gothic-type novels involving vampires. But I caved in because of my curiosity and I have to say...this definitely isn't bad, so far. There is a lot of dialogue that sounds like its from the Victorian age and the writing will sometimes meander into the overly soap opera-ish romance novel territory (the author spends too much time describing Bella's desire for Edward and how perfectly beautiful he is - there are only so many times one can describe the "beautiful pale marble of his skin" before the reader says "I get it! He's a hot vampire."). But I disagree with the negative reviews - I don't get the sense that the author intends for Bella to be the absolute perfect protagonist and traditional heroine. She portrays her very well as a socially awkward, flawed and introspective teenager who just happens to fall in love with a vampire. I could relate to Bella's character and understood why she did, what she did. I can even see why they fell in love so quickly, a point of contention amongst earlier reviewers. They're teenagers - quick to fall in love (and just as quick to fall out of it!). I do agree with the earlier comment regarding the pacing - it's a bit uneven, in the sense that the first half of the book is a slow, careful buildup of Bella and Edward's relationship and then all of a sudden, with the end of a baseball game, the book quickly becomes an action thriller. Seemed a bit choppy to me but perhaps the author wanted to jar her readers into finally realizing that not all vampires are sweet and civilized and that they really are dangerous. There are definitely some questions I have that haven't been answered yet and some things in the plot that don't quite make sense (I would like it if the author had explored more fully the reasons why the Cullens are they way they are and what really motivates them) but I haven't finished the book yet so maybe there are more details left towards the end. But I am enjoying the book so far, it's an entertaining read and though there is not a *whole* lot of depth to the novel, its good enough for me to recommend to others. As far as the hype, it's deserving of a recommendation but as far as literary classics go, this one it certainly is not. If I could give 3.5 stars, I would for this book.
 This Ain't no Harry Potter August 20, 2008
1 out of 2 found this review helpful
When I originally heard about this series, I was like cool another Buffy the Vampire Slayer. But instead there is this insipid girl risking her life for so called love. The casual way she risk her life is misleading and dangerous, I was totally underwhelmed. I literally read the book out of stubborness and boredom but I was repulsed by the simpleness of Bella. To me it seems to encourage suicide.
 I Loved It, Here's Why You May Not... August 20, 2008
This book is not a lot of things: linguistically complex, rich in description, full of well-developed characters. Lovers of vampire lore will find that it is not particularly dark or detailed - Meyer seems more interested in the way being a vampire might affect your relationships than any other aspect of the myth. On the other hand, it's very fun to read.
This book might not meet any definition of masterpiece: it would be fair to call the narrative simplistic and the style is meant for teenagers, and it's meant to entertain, not to challenge. The plot is not hard to follow or hard to predict. The characters are fairly one-dimensional, especially the minor characters such as the mother and father and the "ordinary" friends at school.
And yet, this is one of the literary confections I have most enjoyed in recent years. The metaphor for teenage love is apt: what teenager has not fallen recklessly for someone who clearly might hurt her? What teenager doesn't seem, at times, ravenous for destruction and a risk to himself and those he loves the most? As metaphors for different kinds of transformation, vampires and werewolves are very powerful.
It's light reading, to be sure, five hundred pages of Meyer's book fly by faster than fifty of a Jane Austen novel I recently read. More story could have been condensed into the pages, but to what end? I enjoyed how she lingered indulgently on moments that are meant to be satisfying and titillating.
Is this about inspiring young women? Does it need to be? The protagonist of this book is caught up in the events around her: rather than seeking adventure, she finds she has attracted it. She rises to the occasion in a believable way for a teenager, but she's not meant to be exceptionally gifted. She's good at biology and she's a loner, but she's not a hero figure. Her talent if any, is balancing two realities - something many children from divorced families know how to do well.
And that should be enough. There is something very pleasurable about the idea that you might be whisked away from ordinary life by coincidence or destiny. Having a heroine who is outspoken or remarkable shouldn't be a requirement for young adult reading. Some characters get to stumble into great lives, just like in adult fiction.
The character of Edward is more extraordinary and more noteworthy both - and for good reason - the revelation of his existence and the unraveling of his mystery are the real drivers of the plot. Full of self-restraint, he harkens back to characters in 19th-century novels. He is in control and represents the ideal of a man who can act for selfless reasons even while racked with selfish desires.
Is this an exaggeration? Of course. But it's a brilliant insight into a teenage (and adult) fantasy: to have a lover both young (seventeen) and mature (he's been alive for a lot longer); someone who is passionately in love with you and yet must express himself in the quaintest, most innocent ways. It may be ground well-covered, but it's ground that has been well-covered for a reason: it's a very appealing fantasy. Meyer picked an excellent and evocative premise when she chose the idea of a teenage vampire in love with a human girl, and she deserves credit for making the most of that premise.
With all this having been said, I feel obligated to note, I am a reader of romance novels and a lover of romantic comedies who enjoys stories that strike an emotional nerve and fulfill a fanstasy even if they do so at expense of realism, artistic vision, or meaningful depth. I know that it matters more, in some cases, how well a story meets my expectations for it than how well it is written. Great prose can also disappoint you with an usatisfying ending and still be worth reading. Really masterful prose can lack a beginning or ending and still be worth reading. But sometimes as readers, we'll trade a certain amount of quality for a happy ending.
As a fulfillment of a fantasy of being considered mysterious by someone mysterious, being drawn into a world that is unique and apart from the banal, being singled out as special - this book is magnificent.
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