Bug: The Strange Mutations of the World's Most Famous Automobile

A VW ad in the 60s described the Beetle and the Coke bottle as the two best-known shapes in the world. It is hard to imagine any other object whose bio-graphy includes as vital players Adolf Hitler, Henry Ford, Charles Manson, Walt Disney, and Woody Allen. As much a character as a car, a hero and an antihero, the Bug has had a Zelig-like knack for appearing again and again on the main stage of history. The car that was first built as a tool of Nazi propaganda was, in the postwar years, transformed by American salesmanship into a counterculture icon, then finally into a product of global marketing.

In his first year as German chancellor, Adolf Hitler described publicly his desire for a real car for the German people, mass-produced and affordable to everyone. By 1938, the vast new factory at Wolfsburg was turning out the Beetle, called the KdF-wagen, designed by the great race-car engineer Ferdinand Porsche and his team and financed by the German Labor Front, the Third Reich's labor union. "It should look like a beetle," Hitler apparently advised him. During the war, supplied with labor from concentration camps, the factory manufactured ordnance and tanks. After the war, under British control, it turned out 1,000 cars a month, but they were noisy and lacked heat, and many Germans were eager to put the car behind them.

In America, the few Beetles on the road were those shipped over by GI's. The U.S. auto industry saw no need for a small inexpensive car when there were so many large inexpensive used ones on the market. But in 1959, when VW hired the innovative ad agency Doyle Dane Bernbach to build a campaign, the car's greatest liability was diffused: a Jewish firm would sell Hitler's car. Small was beautiful. Souped-up racing Beetles were cool enough for Steve McQueen to drive. Herbie the Love Bug made Walt Disney hip.

In the 1980s, the Bug lost its popularity to the better-engineered and -designed cars from Japan. To reinvigorate the American market, VW in 1998 unveiled the New Beetle, a car far removed from its German roots -- created in a Southern California design studio and built in Mexico. VW's senior executives made pilgrimages to the brand pavilions of DisneyWorld and Niketown and returned to Germany to build Autostadt, a theme park and museum near the site of the old slave-labor factory in Wolfsburg. The Bug's transformation into a global product was complete.

Bug is the fascinating story of the automobile that became as famous as Mickey Mouse, not just as a means of transportation but as a critical artifact in the cultural history of the century.

That said, most of the book concerns itself with more interesting ideas about the connections between technology and human culture. This is not your standard "VW history," but rather a wide-reaching history of the importance of automobiles and the way people connect and fail to connect with certain models. The author is not afraid to try to find connections between ideas and words in interesting ways. If you're looking for straightforward technical prose, look elsewhere. Patton is an intelligent writer who knows how to turn a phrase.


Author Desperately ISO Editor   May 26, 2003
 1 out of 2 found this review helpful

Whether or not Phil Patton's latest is factually accurate or merely revisionist sensationalism, the first half of this overly long "history" of the VW Beetle makes for an entertaining enough read. But past World War Two and Hitler's interest in developing the ultimate people's car, the narrative loses focus and seems to lose its way amid references to Charles Manson, Mickey Mouse, Nike Town, and a host of other pop culture items. I almost got the feeling that the author wasn't quite sure which direction to take and that his editor was MIA. I found myself also losing focus the more I read and by the time the author discusses the Autostadt, I'd lost any semblance of interest. I'd have stopped reading, but I had less than twenty pages to go.

My hat goes off to the dust jacket's designer. It's exceptionally eye-catching.


Author Desperately ISO Editor   May 26, 2003
 4 out of 4 found this review helpful

Whether or not Phil Patton's latest is factually accurate or merely revisionist sensationalism, the first half of this overly long "history" of the VW Beetle makes for an entertaining enough read. But past World War Two and Hitler's interest in developing the ultimate people's car, the narrative loses focus and seems to lose its way amid references to Charles Manson, Mickey Mouse, Nike Town, and a host of other pop culture items. I almost got the feeling that the author wasn't quite sure which direction to take and that his editor was MIA. I found myself also losing focus the more I read and by the time the author discusses the Autostadt, I'd lost any semblance of interest. I'd have stopped reading, but I had less than twenty pages to go.

My hat goes off to the dust jacket's designer. It's exceptionally eye-catching.