Creation in Death (In Death) | 
 enlarge | Author: J.d. Robb
Publisher: Putnam Adult
Category: Book
List Price: $25.95
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Avg. Customer Rating:  91 reviews
Sales Rank: 66950
Media: Hardcover
Number Of Items: 1
Pages: 352
Shipping Weight (lbs): 1.2
Dimensions (in): 9.1 x 6.1 x 1.5
ISBN: 0399154361
Dewey Decimal Number: 813.54
EAN: 9780399154362
ASIN: 0399154361
Publication Date: November 6, 2007
Availability: Usually ships in 1-2 business days
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Product Description
NYPSD Lieutenant Eve Dallas keeps the streets of a near-future New York City safe in this extraordinary series. But even she makes mistakes, and is haunted by those she couldn't save-and the killers she couldn't capture. When the body of a young brunette is found in East River Park, artfully positioned and marked by signs of prolonged and painful torture, Eve is catapulted back to a case nine years earlier. The city was on edge from a killing spree that took the lives of four women in fifteen days, courtesy of a man the media tagged "The Groom"- because he put silver rings on the fingers of his victims.
When it turns out that the young brunette was employed by Eve's billionaire husband, Roarke, she brings him in on the case-a move that proves fitting when it becomes chillingly clear that the killer has made his attack personal. The victim was washed in products from a store Roarke owns, and laid out on a sheet his company manufactures.
With the Groom's monstrous return, Eve is determined to finish him once and for all. Familiar with his methods, Eve knows that he has already grabbed his next victim. Time is running out on another woman's life.
And chances are he's working up to the biggest challenge of his illustrious career-abducting a woman who will test his skills and who promises to give him days and days of pleasure before she dies: Eve.
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| Customer Reviews: Read 86 more reviews...
 No creation, only death September 28, 2008
0 out of 1 found this review helpful
After reading one of Nora Roberts paranormal romances (Face the Fire) and being distinctly underwhelmed, I felt it was only fair to give her a chance to redeem herself with a crime story, which is more to my taste as reading matter.
And I did enjoy this more, in that I was at least able to finish it. However, that said, the 'annoyances' factor was just as high for this effort as it was for her romance.
A short list includes her decision to shorten words into some kind of b*stard amalgam of cop show and futurism. I had to struggle with wits, vics and transpo throughout, with wit, in particular, producing some very strange misunderstandings as in "Find me the wit who..." What? Told me that joke about the three Irishmen in a bar, perhaps?
We also had to contend with the cast's constant drinking of "fizzies" and trips to "vending" and the "autochef". Quite why the world would have lost branding in the space of 50 years, when branding is paramount in our culture, I do not know. And, paradoxically, "autochef" sounds exactly like the brand name that would have been given to a food mixer in the fifties - a curiously dated anachronism. That said, other than some other uses of 'e', 'links' and 'comms', there was absolutely nothing that made this feel futuristic at all. I'm at a loss to understand why she bothered.
All that under our belts, this was exactly like watching any American cop show on TV. We had all the cop stereotypes, constant barked demands of "With me" and "On it" and the obligatory moralising of The Great American Right meets carbon-copy evildoer.
In this case, our evildoer was ringing as many bells as the cops. He liked opera, he listened to music while he tortured people, he stalked and killed women, he had a nasty relationship with his mother and a dodgy childhood, he was flabby, impotent and - unusually, for once - old.
That 'old' was the sole point of originality in a story that was as turgid and cliched as Nora's romance, if marginally less mawkish.
It's apparent to me, after two books, that Nora's fans must enjoy the predictability of her work. There can be no other explanation for the popularity of such second-rate cookie-cutter writing. I am all for escapism and an 'easy read', but when the 'easy' becomes simple regurgitation of popular TV then I wonder Nora's readers don't just watch TV. At least TV pushes the envelope from time to time. All Nora does is run along behind it, licking up crumbs to spew out again in blander form.
Sad and depressing, and only recommended if originality and talent makes you feel threatened.
 Broken Kindle September 26, 2008
0 out of 2 found this review helpful
I have no ability to read this book as the Kindle I bought did not work even a month and I have no way to read the book.
 Well-done!!! August 29, 2008
I've been reading J.D. Robb for years, well, from the inception of the Eve Dallas series. I've always liked this series a great deal, although I'm not a big fan of "Science Fiction", per se. However, this series is set in the immediate future of the 2050's initially, so it's not so far-flung that I'm not able to relate to the evolutions in the technology that runs throughout the stories. The advancements in the technology are definitely a part of the stories, but they are used with such surprising subtlety that they are barely there. The characters are very strong and the developement from book to book is apparent and, in many cases, captivating.
On to this particular book. This is one of the Eve Dallas books that is devoted almost completely from start to finish in the actual crime drama that is going on with Eve and company, including yummy husband, Roarke, with little to no understory happening. Now, understand that part of the fun of these books IS the understory and the continuing lives of the characters that populate these books, so I'm not belittling that in any way. But, because this book is totally devoted to the crime and the solving of same, by the time I got to the end of the book and the resolution, I was actually in tears. We all know Eve comes through because there is a "next" book, so I'm not giving anything away when I say, when Eve came through and the crime was done, the condition she was in, as well as the comedic timing of the person for whom she came through lent a whole new aspect to who Eve is a person. Her heart and compassion was just dripping from her as well as her sense of ownership of the victims. Sometimes, Robb can make Eve just a tad too rough and tough and those final scenes, final chapters, were just the fix I needed to remember that Eve has a wonderful, soft, almost magical side to her and that that is much of what Roarke loves in her. Me, too! Enjoy!
A gripping continuation of the series August 15, 2008
It should first be said that this is part of a series about New York Police Lieutenant Eve Dallas, her friends and colleagues and her husband, multibillionaire Rourke. It makes sense on its own, but regarding the characters it's a lot better to have read the other titles in the series first. And they're definitely worth it.
'Creation in death' is about a serial killer who kidnaps young women with a specific look and age and then slowly tortures them to death. He then cuts the time they lasted under his torture into their chests, washes the bodies, and leaves them where they can be found. The case is particularly important to Eve Dallas because the killer was in New York when she had just become a policewoman. She and her instructor Feeney couldn't catch the killer back then. And the killer already has his next victim. So the police know that while they're desperately trying to find this killer, the next woman is already being tortured. A race against time begins. As always, Rourke helps his wife, so do her colleagues. But it soon becomes clear that the killer will come after Eve herself as his final victim. And she is more than willing to let him catch her in the hope that she can save his present victim.
This was one of the most intense books in the series when it comes to the crime story because it's not 'just' about catching a killer after the crime or before he / she can commit another, but about saving women who are being tortured to death as the police are investigating. I could imagine that this story may be hard to take for some readers, but I thought it was really well-done and gripping. As I like the characters and the series, it's always a pleasure to get another Eve Dallas novel. I would definitely recommend this book and the whole series if you like intelligent crime stories with well-developed characters.
Naked in Death (In Death)
Horrible, terrible dialogue, no clue for the futuristic August 7, 2008
Quite frankly, I'm embarrassed for JD Robb/Nora Roberts. This is quite possibly the most ridiculously written book posing as a suspense novel that I have ever read. Robb's "grasp" of the world in 2060 is laughable, and is limited to overuse of the word "e-(fill in the blank)", a 'link (which is basically a Blackberry, available in the early 2000s), running probabilities (haven't we been able to do this since statistics was discovered?), TUBES of soft drinks rather than cans/bottles, and an AutoChef. Oh, and a droid butler here and there.
Her dialogue is ludicrous. Roarke is presented as this silly fawning co-dependent relationship and Eve wears the pants.
I didn't care about any of the people because I couldn't get past the irritating and lame plot.
I will never read another one of her books. Do NOT waste your time on this series.
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