Color Chart | 
enlarge | Authors: Ann Temkin, Briony Fer, Melissa Ho, Nora Lawrence Publisher: The Museum of Modern Art, New York Category: Book
List Price: $55.00 Buy New: $36.67 You Save: $18.33 (33%)
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Sales Rank: 71717
Media: Hardcover Number Of Items: 1 Pages: 248 Shipping Weight (lbs): 3.9 Dimensions (in): 12.3 x 9.4 x 1.1
ISBN: 0870707310 Dewey Decimal Number: 701 EAN: 9780870707315 ASIN: 0870707310
Publication Date: March 1, 2008 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: SHIPS from 5 locations based on your Zip Code and availability! (PA TN IN OR SC) *-* Gift Quality *-* Orders Processed Immediately! - We get your book to you Very Quickly! -L2356.69322
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Product Description Color Chart addresses the impact of standardized, mass-produced color on the art of the past 60 years. Taking the commercial color chart as its central metaphor, this volume chronicles an important artistic shift that took place during the middle of the twentieth century: a frank acknowledgment of color as a matter-of-fact element rather than a vehicle of spiritual or emotional content. Collected here are more than 40 artists who explore in their works the double meaning of "ready-made color"--color bought off the shelf, rather than mixed on a palette, as well as color assigned by chance or arbitrary system rather than composed with traditional chromatic harmonies in mind. Published to accompany a major exhibition at The Museum of Modern Art, New York, this volume begins with Marcel Duchamp's Tu m', the artist's final painting, made in 1918, with its long array of color samples looming across the canvas. This early recognition of color's commercial nature was fully explored more than three decades later by artists such as Robert Rauschenberg, Andy Warhol, Gerhard Richter and Alighiero Boetti, who in the 1950s to the 1970s, with a host of others, redefined the parameters of color from a matter of personal expression to one of arbitrary systems and random processes. The repercussions of this transformation continue to be felt into the twenty-first century, in work by artists including Sherrie Levine, Mike Kelley and Damien Hirst, as well as others who explore color in digital technology This volume traces the lineage of the questions provoked by color's new status, and the variety of answers that have resulted.
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