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The Lord of the Rings: Part 1, The Fellowship of the Ring (NPR Playhouse Dramatization) | 
 enlarge | Authors: J. R. R. Tolkien, Gail Chugg
Publisher: Highbridge Audio
Category: Book
List Price: $19.95
Buy New: $9.08
You Save: $10.87 (54%)
New (14) from $9.08
Avg. Customer Rating:  835 reviews
Sales Rank: 726440
Format: Abridged, Unabridged
Media: Audio CD
Edition: Abridged
Number Of Items: 3
Pages: 5
Shipping Weight (lbs): 0.4
Dimensions (in): 6.6 x 5.6 x 1
ISBN: 1565116674
Dewey Decimal Number: 792.102908
EAN: 9781565116672
ASIN: 1565116674
Publication Date: April 15, 2002
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Condition: New still in shrinkwrap!
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| Editorial Reviews:
Product Description
In the ancient world of Middle-earth--a place of elves and dwarves, orcs and wizards, the darkest evil and the brightest good--a hobbit named Frodo Baggins embarks on a perilous quest: to carry the One Ring, ruler of all the Rings of Power, into the shadowy land of Mordor and destroy it in the fires where it was forged.
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| Customer Reviews: Read 830 more reviews...
 Listen to the BBC Radio adaptation instead! February 11, 2008
0 out of 1 found this review helpful
The BBC verison is superior in almost every way than this NPR version, but this does have a few things to recommend it. Tom Bomdadil sounds just as I imagined he would. Sam's voice is childish, but for the most part endearing because of that. I imagine this is how he sounded at nine when he first met Frodo and you can easily hear how much he loves his master as this version includes my favorite scene from Book IV as Sam watches Frodo sleep and the light that is shining from within and says to himself, "I love him" and the loving reunion in the tower. Both are interesting inclusions because Americans usually shy away from the showing of same-sex affection so this was welcome in showing that beautiful, pure bond of theirs. The scene with the Barrow-wights is very well done and quite terrifying. You can very easily understand why Frodo would have been scared enough to want to run away. The narrator's voice sometimes gets really caught up in the action, dramatically describing the fell beast of the Ring-wraiths or especially Sauron's realization that he is doomed as Frodo puts on the Ring. I almost felt sorry for the Dark Lord there for a minute as he frantically sends his Nazgul to stop that little one, but then I crowed in delight, "Too late! Too late!" Unfortunately, the narrator is the only one that is enthused in this, except for Sam. Frodo is quite lackluster. Don't try to take the Ring away from him, but otherwise you have no idea that his soul is being torn apart. When he claims the Ring/is claimed by the Ring is done well though.
 classic January 27, 2008
This is one book to enjoy. Tom Bambadil is the best! Tolkien creates interesting stories with classic creatures that most people have a slight background of information to, thus not wasting time on creating a new world of different names.
 Underwhelming January 24, 2008
2 out of 6 found this review helpful
I know this is going to rile the defenders of the novels, but the films were much better. I remember how the "purists" were all up in arms when Peter Jackson changed the plots around, involved characters in certain areas, completely deleated others, etc. Well, I have to say, Jackson did a better job in telling Tolkien's work than Tolkien did.
Tolkien's problem I think is that he created such a complex fantasy world with so much detail that he spent his whole time telling us about every single minor character and the minute details of every scene and completely forgot to move the plot along.
There were times when I was reading this series and I thought, "wait, wasn't that a part that was pretty big in the movie?" Such as the Ringwraith's attack on Weathertop or the battle of Helms Deep. These events were described with as much emotion and excitement as if Tolkien were describing his morning routine.
And I ended up groaning when one of his characters would launch into a long speech about how he ended up somewhere or especially when one of the Hobbits would talk about the Shire. At one point in "The Two Towers," Gandalf actually warns Theodan NOT to bring up such topics...I wonder if Tolkien himself even figured out he was spending too much time on these pointless back stories.
Don't get me wrong, I love reading books that are rich in depth but this is a bit too deep.
Then there are the songs and poems which are nice but...I stopped reading them after a while and went on with the story.
The entire premise of the Lord of the Rings was supposed to be a conflict of good vs. evil and trying to stop evil from obtaining the one ring. Sadly, much of the book is devoted to telling us how these Elves ended up here and what happened at these ruins and who was there...again, all stuff that probably would have been better in a companion piece rather than clumsily put into the story like a concrete roadblock.
The plot itself was also odd. Now I understand that Tolkien wanted to publish his work all in one giant book but was forced to divide it up. The man obviously doesn't know about climax and plot resolution and this is where Peter Jackson came in. The end of the first book just ends...Frodo dissappears and the rest of the fellowship are looking for him. The beginning of the second book starts with Aragorn finding a mortally wounded Boromir; we don't even get to read about the heroic stand of Boromir, just that he fought well but was overpowered. For the first half of The Fellowship of the Ring, we get to learn more than we cared to know about the Shire and the journey to leave the Shire and the surrounding area is just painfully slow with little or no action at all...just a long history lesson about these woods or this hedge or that village....ughh
In The Two Towers, the first half of the book is devoted to Aragorn, Gimli and Legolas while the second half is solely devoted to Sam and Frodo.
I don't know, Tolkien could have worked the plotline better concerning this and made it more enjoyable. Maybe he got lost in his own world as writers sometimes do and they forgot what the reader doesn't know.
As for character development...there is none. The Aragorn you meet halfway through the first book is the same Aragorn that you see crowned as king at the end of the story. Whereas in the film, he is a conflicted man, unsure about his destiny and forced to decide. The characters in the book are one dimensional and you sometimes forget they are even there.
I'll say it again, the films were much better or atleast the story was told better by Jackson than by Tolkien. Had Jackson been totally true to the story, we'd still be watching the movies I write this because every single back story would have to be told and the dozens of minor characters would have to be introduced and so on and so forth. In my mind, the movies are how Tolkien would have wanted his story told. His own books are the companion piece, to give more of a history and back story on the world that he created.
Classic January 20, 2008
Everyone knows that the Lord of the Rings is a fantastic fantasy epic and a classic work of literature. It shows that genre writing does not have to be hack writing. Clearly if you want to get into the series you have to start with The Fellowship of the Rings. I do not think you can think of yourself as a true fantasy lover unless you have read or tired to read this book. It is not for everyone as it is very dense, but it is also just a great story with great characters.
Excellent January 8, 2008
My husband doesn't get alot of time to read, the audiobooks are perfect and they keep him awake while driving...HUGE BONUS!!! Perfect for road trips or just your general busy life. You always have time for a CD, in the car, while cleaning the house or even on the treadmill.
I really don't have much to say about this one in particular, (Who hasn't seen the movie)except it is better than the movie. No need to say more.
Listen to it for your self....no excuses.
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