Intaglio: Acrylic-Resist Etching, Collagraphy, Engraving, Drypoint, Mezzotint | 
 enlarge | Authors: Robert Adam, Carol Robertson
Publisher: Thames & Hudson
Category: Book
List Price: $34.95
Buy New: $21.32
You Save: $13.63 (39%)
New (20) from $21.32
Avg. Customer Rating:  5 reviews
Sales Rank: 94384
Media: Paperback
Number Of Items: 1
Pages: 240
Shipping Weight (lbs): 2.3
Dimensions (in): 9.8 x 8.9 x 0.8
ISBN: 0500286612
Dewey Decimal Number: 769
EAN: 9780500286616
ASIN: 0500286612
Publication Date: April 28, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new item. Over 4 million customers served. Order now. Selling online since 1995. Few left in stock - order soon. Code: N20080926032147T
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Product Description
"Shows readers how to do these methods the safer, healthier, more environmentally friendly way." —Art Materials Retailer
This practical and inspirational book is a complete guide to creative intaglio printmaking. With clear step-by-step instructions and hundreds of illustrations, it describes methods that, while employing a strong traditional basis, avoid the use of toxic materials to achieve stunning prints the modern, safety-first way.
Covering every stage of the plate-making and printing process, the book opens up creative possibilities for beginners and experienced printmakers alike. From setting up and equipping an intaglio studio, through choosing a printing method, to collating and presenting finished prints, this beautifully illustrated and comprehensive reference book is the only resource any art practitioner, educator, or student will ever need. 229 illustrations, 199 in color.
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| Customer Reviews:
 very beautiful and useful book July 22, 2008
I'm very happy with this beautiful book. printing and quality of the illustrations is very good. has 200 color illustrations and other black and white. also contained a wealth of information about each technique, explained well, especially the technique of collagraphy, a book modern and contemporary. I recommend it highly.
 A worthwhile reference April 26, 2008
4 out of 5 found this review helpful
A good reference for the serious printmaker. Clarity sometimes falls victim to awkward writing style, but there is valuable information about working safely, with effective alternatives to traditional toxic materials. Not written as clearly as The Complete Printmaker, which is the must-have book in the field.
Collography January 18, 2008
6 out of 6 found this review helpful
Collography
This is by far one of the best resource books on the subject of intaglio/collagraphy that I have seen so far. Seems that both books that I have recently bought from you are of UK PUBLISHERS, the Intaglio book is now published in the US, but this does not quite mean we over here in the good ole' USA are catchin g up.
A must have.. October 30, 2007
16 out of 16 found this review helpful
This is an excellent resource for anyone interested in replacing traditional toxic printmaking techniques with safer alternatives. Nothing lost but the dangers. It discusses the hazards of traditional printmaking and introduces non-toxic alternatives from de-greasing intaglio plates to non-toxic resists and etching solutions, water based inks, photo processes and numerous adjuncts etc. Plenty of supplier lists and suggestions for setting up a new studio. This is an impressive and comprehensive book with lots of photos.
Intaglio: Acrylic Resist Etching June 7, 2007
24 out of 25 found this review helpful
This is a beautifully made and illustrated book with sewn pages and thick paper. It includes and excellent synopsis of the history of printmaking. Effort is made to cover many of the "safe" contemporary techniques, but one cannot escape the feeling that it is a marketing tool for Lascaux products (though various dry film resists, and products by Golden, Graphic Chemical, and others are not excluded). Oddly, while the techniques will be of great benefit to someone new to safe printmaking, discussion of setting up the studio is aimed toward a commercial fine art printmaking operation, not the lone printmaker. Take what you need and leave the rest. Techniques are clear, often illustrated, and easy to follow. It is an excellent reference for safe handling procedures and a variety of techniques. The book is a good value.
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