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The South Pacific Companion | 
 enlarge | Author: Laurence Maslon
Publisher: Fireside
Category: Book
List Price: $40.00
Buy New: $20.00
You Save: $20.00 (50%)
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Avg. Customer Rating:  1 reviews
Sales Rank: 176784
Media: Hardcover
Number Of Items: 1
Pages: 192
Shipping Weight (lbs): 3
Dimensions (in): 12 x 9.5 x 0.9
ISBN: 1416573135
Dewey Decimal Number: 791.4372
EAN: 9781416573135
ASIN: 1416573135
Publication Date: May 6, 2008
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Brand New. 100% money back guarantee. All books shipped from Strand Bookstore, New York City, USA.
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Product Description
A story of passion, prejudice, and romance set against the tragedy of war, South Pacific reigns as one of the all-time great American musicals, winner of the Pulitzer Prize, nine Tony Awards including Best Musical, and the New York Drama Critics Circle Award, among other accolades. Here for the first time is the authorized companion to South Pacific's many memorable incarnations spanning seven decades, from the original Broadway production of 1949 to the musical's first return to Broadway in spring 2008. Here is the evolution of the musical through its four creators: James Michener, upon whose Pulitzer Prize-winning short stories the musical was based; the great musical theater team of Richard Rodgers and Oscar Hammerstein II; and the musical's cowriter and director Joshua Logan. Also detailed are the historical background of the battles and islands of the South Pacific through World War II and the unique translation of that "theater of war" into one of the most memorable productions in American musical history. The South Pacific Companion, authorized by The Rodgers & Hammerstein Organization, features the complete lyrics to all the major songs, rare photos, never-before-seen archival material, maps of the plot's war-torn locales, historical documents, and other insider information from every major theatrical, film, concert, and television production of the musical. Composer Richard Rodgers and lyricist/ librettist Oscar Hammerstein II joined forces in 1942 to create the most successful partnership in the American musical theater. In addition to South Pacific (1949), their prodigious output includes Oklahoma! (1943), Carousel (1945), The King and I (1951), and The Sound of Music (1959). Collectively, their musicals have earned thirty-five Tony Awards, fifteen Academy Awards, two Pulitzer Prizes, two Grammy Awards, and two Emmy Awards.
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A wonderful companion for an enchanted evening May 31, 2008
1 out of 1 found this review helpful
Laurence Maslon has given us an indispensable treasure of a book in this South Pacific companion.
One might have thought there might not be much to be said about this wonderful Rodgers & Hammerstein Musical, but Prof Maslon has created a wonderful book worthy of the show. Like his earlier Sound of Music book, Maslon begins by relating the background of the show, and recounts how the Second World War inspired James Michener's creative juices to flow in writing his book. Prof Maslon did a really wonderful job in telling of how the war influenced everyone involved in the creative team so that they could bring their unique talents to the making of the musical. After reading it I felt sure that R&H were able to write the show with the background of the war that influenced the creative team, and so they didn't write the show off their own bat. Prof Maslon's narrative is compelling and readable, just like his earlier Sound of Music book, and it was wonderful of him to tell us how the theme of racism was there from the moment when Michener penned his book. Though I would have liked there to be more coverage of the impact of this R&H musical, it was still an enjoyable book, with the photos and the song commentaries an added bonus. A minor quibble is that I wish there was more coverage on what influenced the writing of each song, such as the mention of Hammerstein's desire to write a "verb lyric" when he wrote Some Enchanted Evening. Also a new feature in this book is Prof Maslon's analysis of how language plays a part in the musical, and it does make me wish that this commentary on the show had been included in the Sound of Music book too.
In short, this book is such a wonderful follow-up to the Sound of Music book, and it's an indispensable part of any R&H fan's collection. I really think these books deserve to be in print forever. Meanwhile, I'm looking forward to similar companions for The King and I and Cats, and I wish Prof Maslon every success in his future books on R&H musicals.
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