The Rough Guide to Klezmer Revolution (Rough Guide)

The Klezmatics: From New York's East Village come one of the most renown of klezmer bands, and many of the musicians on this CD are either presently in, or have at some time in the past been in this terrific group.
Naftule Brandwein's recording career was between 1922 and 1941; he was known as the "King of the Klezmer Clarinet", and it is fitting that he should have 2 tracks in this collection.
Budowitz also has 2 tracks, and they use 19th century instruments, re-creating as much as possible the sound of those old world weddings. The founder of the group, Joshua Horowitz, plays a Budowitz accordion, and to quote from the excellent booklet insert, it has a "dark, woody sound".

The Klezmer Conservatory Band, which hails from Boston, has been going strong since the early '80s, and they are jazzy, theatrical, and wonderful.
Kroke, which is a translation of Cracow, where these three men were born, perform the soulful, lyrical "The Secrets of the Life Tree", one of the best tracks on this compilation.
Brave New World is an international group based in New York, where one can hear modern classical threads woven through the Yiddish cloth of their music.
Harry Kandel's Orchestra is from the 1920s, and do the same tune "Der Gassen Nigen" as the track that follows them, by Klezmokum, a US/Dutch group who have an interesting, contemporary take on the song.

The David Krakauer Trio boasts the clarinet virtuosity of David, who was a former member of the Klezmatics.
Alicia Svigals, who is a member of the Klezmatics, shines playing an excerpt from her solo album "Fidl: Klezmer Violin".
Trumpeter Frank London (who leads the Klezmatics) here performs a marvelous up-tempo piece with a number of top musicians in the klezmer field.
Canada's Flying Bulgur Klezmer Band re-interpret Branwein's "Der Heisser" with their "Sumkinda Hora".

Di Naye Kapelye, a Hungarian-based group led by American Bob Cohen give us my favorite track on the CD, a spirited and spunky piece, and the only track on this compilation that has vocals.

American Joel Rubin, once a member of Brave Old World, and now Berlin-based, gives us a sweet and melodic song with his ensemble.
Margot Leverett, once with the Klezmatics, is a wizard with the clarinet, with a very smooth, fluid sound, here with her take on Brandwein's "Oy Tate", and is followed by the same song interpreted by Naftule's Dream, an avant-garde group from Boston, which is my least liked track on this CD, as I tend to be a traditionalist when it comes to klezmer.

Though I thoroughly enjoy this album, I do not consider it an overview of klezmer music, as it is somewhat one-sided. The absence of vocals except for track # 15 (not counting the "ahs" on track # 1) alone is limiting; nevertheless, it has much to offer, and is an excellent addition to a klezmer collection, but should not necessarily be the start of one.
overall sound is good, and total time is 71'21. Page 11 of the booklet insert explains how to use the enhanced feature of this CD which contains more information on klezmer music.


Here's Chutzpah for you!   April 3, 2003
 5 out of 5 found this review helpful

No question, this is one of the most exhilarating Rough Guides in the collection!

While Klezmer compilations can be hit and miss, this one treats you with nothing but sheer musical excellence and chutzpah by the shovelful. Using the interesting technique of juxtaposing original and modern versions of Klezmer classics, we get a great insight into the evolution of Klezmer from its shtetl and later New World origins to its many incarnations today, including Klezmer/jazz fusion and New Age Klezmer.

The original greats Naftule Brandwein and Harry Kandel are here, along with some of Klezmer's greatest contemporary exponents such as the Klezmatics, the Klezmer Conservatory Band and Budowitz. There are also many superb ensembles which may be unfamiliar to listeners, such as Kroke from Poland, and Di Naye Kapelye from Hungary.

Especially appealing about this collection is its treatment of the varied forms of Klezmer, focusing not only on the American style, but also incorporating Hungarian and Romanian musical interpretations and Ottoman influences, as shown by the brass band element. The exquisite clarinet work of Margot Leverett, David Krakauer and of course Brandwein himself adds great colour and vitality to the music, while the evocative soulful side of Klezmer is drawn out superbly by Alicia Svigals and jazz elements are seamlessly incorporated into traditional melodies by Klezmokum and Naftule's Dream.

All in all, an essential album for the Klezmer neophyte and seasoned connoisseur alike. Kick back with some blintzes and find your inner Yidl on this CD. Mazel Tov!


Oy! Magnificent!   July 29, 2000
 29 out of 29 found this review helpful

Look: I relish Martin Buber; Walter Kaufmann is one of my heroes; and I regularly quote the book of Ecclesiastes. But I'm not Jewish. Nevertheless, I was a big fan of the Klezmer Conservatory Band about ten years ago. But then I lost track and got caught up in other pursuits.

This Rough Guide CD brought me back to the magic and magnificence of Klezmer music. It's not just old 78 clarinet licks. These tracks swing! We've got a fusion of blues, jazz, East European hassidim, and whatever else crossed the minds of the musicians as they enjoyed laying down these grooves. It's heart-pounding, joyous, vibrant, cerebral, earthy, intense, epithalamionic, and celebratory. One of the superb features is that four tunes are juxtaposed by earlier and later versions so the listener can explore the evolution of Klezmer from the '20's to the present.

If you're depressed, crank this CD. You'll dance, you'll hollar; maybe you'll even convert! If Moses had had this CD, the commandments might have been limited to, "Dance!"